Review: Digitalism at The Academy

This year’s Halloween has been particularly frustrating for me, not just caused by the general annoyance that is the holiday falling on a Sunday. But for me it was even worse; my day job requires my attendance at 8am on Sunday mornings, so Saturday is off-limits too. This left Friday as my only viable Halloween party night, the night no one bloody else decided to go out. But clutched in my hand remained my beacon of hope, my last remaining light, my savior. Clasped in my sweaty hand was a ticket to something better than a fancy dress party or any other ghoulish themed nights. The key to my weekend was my ticket to Digitalism.

Not having released any new material since Idealism in 2007, (Kitsune Tabloid was a remix album, so it doesn’t count) and with the news of a new EP in the coming weeks, I was anxiously looking forward to some fresh new beats from the German outfit. With the likes of Magnets, Pogo and Digitalism in Cairo to live up to and improve on, this gig could be the voice that says ‘Fuck off Dubstep you blow-in, the real deal is back’.

Doors were at 11pm and I was there bang on time, not knowing when Digitalism would take the stage but firmly cementing the fact that I won’t miss a second. So I waited, and drank, and waited, and drank some more, occasionally going for a cigarette just to kill some time. At 00:45 the guys took the stage and immediately kicked into Magnets. Yes! The place exploded into a frenzy of sweaty dancing and strobe lights. They continued to bust out hits for a while and the crowd was lapping it up, but I was still waiting for the new stuff – something to completely blow the roof off the place. What I got was something quite a bit different, and altogether disappointing.

The gig seemed to slowly devolve into a DJ set expected from a resident at any mid-level, free entry venue. The guys on stage seemed to simply press play on every cliché standard dance track imaginable, with such unimaginative music culminating in an unchanged airing of Soulwax’s remix of The Gossip – Standing in the Way of Control. Would you ever expect this track to be the most memorable moment of a Digitalism gig? It was certainly the straw that broke the camels back for me, and capped off a truly forgettable night.

I am sure there were many unaffected guests who were basking in the Halloween festivities, enjoying a dress up and a dance, but I am also positive that I was not the only one there expecting a great show and was found wanting. If this gig is any indication of the direction they will take with new material, I will expect nothing more than a lethargic attempt at following the great Idealism. For me, the word that sums up Digitalism’s performance is lazy. Okay, I was guilty of having a bit of a dance while in attendance but for 25 clams I could have just gone up the road to The Oak and had 5 extra drinks. I leave you with a question I will continue to ask Digitalism until they live up to expectations; what the hell happened???

Dublin Clubbing Guide: Digitalism

Digitalism @ The Academy, Friday 29th October

This weekend is All Hallows Eve, and due to the real date being on a poxy Sunday, most of you will plan to hit the decadent Dublin dance-floors on Friday or Saturday, all decked out in the latest ghoulish garments. While most promotions are offering the simple Fancy Dress parties complete with DJ and banging tunes, I noticed that nothing specific was jumping out at me (not a ghost pun I swear) as the best choice of the weekend. Where can one completely lose ones self in some Jersey Shore-esq fist pumping to the best Dance/Electro music available this weekend?

To those who genuinely read this for tips on where to go each week (you know who you both are), I can only apologize. This week’s feature is no more than a respectful fist in the air to not only the music, but to the fans that got their tickets before the gig sold out. I salute you! For all who did not get a ticket, prepare to boil with jealousy and direct your anger at the attendees of Digitalism at the Academy.

Digitalism have been one of the most coveted electro acts of the last 5 years, with their album Idealism constantly in comparison with the likes of Vitalic, Justice and even Daft Punk. The debate is endless over who are better (except when Daft Punk is involved, obviously) but many regard their debut album as superior to that of OK Cowboy or Cross+. They followed up with remix album Kitsune Tabloid, containing mixes of tracks from artists like Zombie Nation, Calvin Harris, Hot Chip and The Human League to name but a few. They are truly one of the pioneers of the most recent wave of electro love, and Digitalism will no doubt carry the flag of electro well into the future.

With a new EP set for release in the next few weeks, Digitalism descend on The Academy this Friday and, as previously stated, the gig is sold out. There is always the chance of purchasing at the door, but don’t believe the hype as I am simply speculating.

Tickets were/are Eur25.50 and doors are at 11pm. For more detail visit www.theacademydublin.com.

I must apologize again for featuring a gig which is now sold out, but this also means that many of you predicted that I would feature it in the Guide this week and took my advice by snapping up those tickets. I may still attempt to go myself (height of fence permitting) as I would like nothing more than watch all the confused faces staring at a rave addicted, beat encapsulated, 6 foot 2 Jesus…. It’s me…. I’m dressing up as Jesus.

Dublin Clubbing Guide: Beatyard Weekender

beatyard Weekender @ The Bernard Shaw/The Twisted Pepper Wed-Sun

The bank holiday is upon us, and it’s only a week or so until Halloween, which means there is a potential 2 week party frenzy on the horizon. While you continue you mull over your latest fancy dress invention you may as well wander into the many venues offering sweet bank holiday parties and leave the dress up until next week.

Remember when all the Power Rangers connected their entire range of giant robot Dinosaurs to make one mega Godzilla sized robot? Well, that kind of metaphor springs to mind when thinking about this week’s clubbing opportunities, because the best of the best all seem to reside under the same roof(s).

Flying the bank holiday banner this week is The Beatyard Weekender, courtesy of Bodytonic Music.

Bodytonic ran a trial version of The Beatyard last year, and due to popular demand they brought it back for its first official run. From Wednesday until Sunday across a number of venues, The Beatyard Weekender is offering the best in live music, media and culture. With top local and International music from both bands and DJs, galleries, installations and AV shows, there is surely something for everyone at The Beatyard this week.

So tonight why not visit The Bernard Shaw at 8pm and catch some live music From Bull Munro, Chantylace, Bently Jnr and other guests. Or maybe head to the Twisted Pepper for the same time to catch a Banter talk hosted by Jim Carroll on the stage, Comedy act Milk & Cookies in The Mezz or the Beatyard Cinema in The Basement. I know it’s a bank holiday, but sure it’s only Wednesday!

Thursday offers more treats from 8pm with a Theatre, Film, AV and DJ showcase in The Bernard Shaw, while the Twisted Pepper plays host to more comedy, and a Screening of Banksy Documentary “Exit Through The Gift Shop”. Clubbing Guide regulars MR. Jones close off the night with the Magda and Marc Houle Album Tour.

On to Friday with an 8pm kick off once more, The Bernard Shaw will be hosting the All City Records & Radio Show. At the same time in The Twisted Pepper, Scribble present the internationally acclaimed DJ Yoda, performing an AV show titled “Stop, Look & Listen” with support from DJ Kormac. Later in the night is MUD, headlined by nu-disco king Aeroplane, with Mu-ziq and Meljoann stopping by. Absys Records will also be partying due to their latest release.

Saturday afternoon welcomes the Mini-Mall at The Bernard Shaw with all your favorite stalls and, Oh yes; the big Blue Bus is back with its awesome pizza! The Twisted Pepper will run a Fashion Stage from 12-6pm, and later POGO will welcome Jazznova for a DJ set, while Barry Redsettaz will run a 4 hour Pogo showcase on the Stage.

The Bernard Shaw looks to have an ‘All Day-er’ on Sunday with more than 12 DJs set to appear. The Twisted Pepper will close off the Weekender with Moodyman and Optimo Espacio running the show until the wee hours.

The Twisted Pepper will have the Basement and Mezz running as the cinema and Comedy lounge respectively all weekend for that extra touch of diversity.

Above is just a taste of what each venue has in store for the next 4 days, so check out www.bodytonicmusic.com/events for all the detailed info and ticket sales.

Once it’s all said and done, take a short breather than figure out your costume for next week. Me, I’ll be returning from the g-rave! I’m sorry…..

Dublin Clubbing Guide: Hot Pink Delorean & The Cuban Brothers

Transmission@ The Button Factory, Saturday October 16th

With all the quality rock shows in Dublin recently, and with no end in sight, I have been getting my ear chewed off about the latest offerings of rock music about town. Now, I enjoy planning my next gig caper as much as the next guy, but what happened to all pre-planned mental party sessions? What happened to the Rave?

In my ever-increasing desperate attempt to ‘keep it lit’ I have decided to declare that winter now be known as Rave Season. Why go to endless repetitive rock concerts when there is a dirty fidget house session down the road? Especially when the session will no doubt continue well into the early hours, regardless of your non-functioning eyelids? Nothing says ‘party’ better than a mass of depressing colorless glow-sticks surrounding you at 5am, and with that in mind here’s what’s in store this week for all you clubbers out there.

Transmission welcomes you to The Button Factory this Saturday as they play host to a sweet double-header of Hot Pink Delorean and The Cuban Brothers.

Hot Pink Delorean are a side project of drum & bass group Terravita, and have been creating quality remixes of mainstream tunes since 2007, most notably Pixie Lott’s Boys and Girls. Other mixes include artists such as Britney Spears and Beyonce, along with more obscure choices like Van Halen’s Hot for teacher. But don’t let these collaborations fool you. Hot Pink Delorean, who are currently signed to dance mogul Steve Aoki’s Dim Mak records, are fresh off a busy festival season and are looking to continue dishing out their banging electro to Dublin ears.

If that’s not enough to entice you, Transmission have also got The Cuban Brothers! For those out of the loop, The Cubes’ fantastic integration of dance music and comedy earned them high acclaim at festivals like Edinburgh, Bestival and the big kahuna, Glasto. They have held the main stage at Manumission and even hosted the NME awards. Their style and attitude are indescribable, so it may be best to just check out their site before you undoubtedly mark this night on your calendar.

Transmission have promised a whole heap of guests in the coming months, and judging by this Saturday’s double whammy it’s clear they are true to their word.

So for the most entertaining night of the week, and your only choice for a soulful Havana vibe mixed with some quality electro, there is no better place than Transmission at the Button Factory. Except for maybe Cuba, but I heard they have no McDonalds…

The Top 50 Sci-Fi Movies of All Time!

If I were to pick a favorite film genre, I'd go Sci-Fi every time. But there are so many crossovers and sub categories in film these days that i find myself asking "Does Sci-fi even exist anymore?"

Science Fiction is supposed to do exactly what it says on the tin - mix science with fiction. The great thing about this, yet the same point which blurs its very definition, is the range it covers; everything from Time travel, Space and The Future to Dinosaurs, Aliens and the paranormal. once the primary ingredients are present you can slap on a layer of comedy, horror or good old fashioned fantasy and still come out with a pretty good concoction.

with This in mind i began compiling a list of what I think is the top 50 Sci-Fi films out there today. but before gazing upon my choices with those judgmental eyes, please be aware of the following:
This list does not include any megabucks flicks from the last 12/24 months i.e. inception or Avatar, nor does it include any superhero/comic book adaptations (at least not intentionally!). Finally, please note that I tried really hard not to include too many David Lynch or David Cronenberg titles for fear of the list turning into a top 100. When looking into these Directors, I was very conscious of what Sci-fi represents to the public and therefore could not include many of the films you may feel warrant a place on the list.
But the whole point is to get those opinions flowing so please, comment below and let the debate begin!

50. Primer
49. Mars Attacks!
48. Metropolis
47. Logan's Run
46. The Omega man
45. Serenity
44. inner Space
43. Pitch Black
42. Planet of the Apes (original)
41. Cocoon
40. Batteries Not Included
39. Sunshine
38. Twelve monkeys
37. Dune
36. Minority Report
35. Short Circuit
34. Signs
33. They Live!
32. Demolition Man
31. Tron
30. Labyrinth
29. Akira
28. Mad Max 2: The Road Warrior
27. Equilibrium
26. Alien 3
25. Escape from New York
24. Starship Troopers
23. The Fly
22. The Abyss
21. Ghostbusters
20. Back to the Future
19. Robocop
18. Armageddon
17. independence Day
16. The Fifth Element
15. Total Recall
14. The Terminator
13. The Thing
12. Jurassic Park
11. Alien
10. Close Encounters of the Third Kind
9. E.T.
8. Back to the Future part 2
7. Blade Runner
6. The Matrix
5. Predator
4. Aliens
3. 2001: A Space Odyssey
2. Terminator 2: Judgment Day
1. Star Wars Trilogy

Dublin Clubbing Guide: Strangeways, Here We Come

Strangeways Here We Come, Wednesdays @ Crawdaddy

First off, apologies for the delay in this weeks guide and the short notice regarding this weeks feature -the party lifestyle does catch up on one every now and then doesn’t it? Either that or I’m going ‘Murtagh’ on this whoile scene by ‘getting too old for this sh**’.

This week we bring to you a new night on the Dublin scene, for all you jobless freaks and college bums, and judging by the calibre of its creators it looks set to blow up.

Goldenplec buddies GAFF PARTY along with Dubstep Dublin have launched a new night in Crawdaddy on Wednesday nights called STRANGEWAYS, Here We Come, and are set to offer a more alternative take on the midweek rave, with a host of interesting additions to their repertoire for this new venture. Tonight will be the second installment of Strangeways, and for a taste of how the launch night went follow the link below.

Now obviously the Gaff party lads will be doing what they do best with some quality house mash ups, but they are now offering a plethora of genres which they will span/spin for your listening pleasure. Everything from Indie and 80′s Electro to Dubstep and Ambient will be covered and if that still does not persuade thee, maybe the addition of visuals, performance art and and exhibitions will sway your vote.

Doors are at 11pm and it’s free in before 11:30, and €5 admission with cheap list/flyer afterward.

With promises of big international DJ guests in the coming months, Strangeways, Here We Come is set to be the only place to be on a Wednesday night. You just need to ask yourself, are you a Stranger?

http://www.facebook.com/event.php?eid=163302370346975

Album Review: O Emperor - Hither Thither

I am always weary of checking out debut albums of Irish bands, reason being there is normally no middle ground. They are either amazing or awful.
I think the best I can say about O Emperor is that they have finally found that purgatory of Irish music which has eluded us for so long.

The opening track of Hither Thither is a song called Don Quixote, and as an introductory track it gave me high hopes for their album. It captures every instrument – including a sometimes dominant piano, yet keeps the tempo at a pace which could find you dancing. Not dancing in the uncontrollable limbs kind of way, more of a head bob, but dancing nonetheless. Unfortunately as the album played through I found myself disappointed. No doubt their songs are fantastically structured and the band have immense talent, with an album that can honestly be described as beautiful. All that aside the bottom line for me was that it was painfully boring. Tracks like Heisenberg and Catch 22 made me want to fall asleep. While others may feel it is emotionally powerful, my problem was that I am NOT clinically depressed or getting over a terrible break up. Beautiful, yes, but even with lyrically positive songs like All Worked Out, this album is for teenage heartbreak or a birthday present for mum.

There is something I cannot quite put my finger on regarding the sound of O Emperor. They do not class themselves with any other genre than simply ‘indie’ which leaves a lot to the imagination of the listener. Even to draw comparatives is difficult on a general scale, as each song has a different direction while still collectively bringing each instrument to the table as equals. The piano, which is present throughout, is intelligently utilized to create a dept to the melodies, while the guitar plucking provides the listener with that modern sound. There are also similarities to Arcade Fire when analysing the drum beats captured throughout the album. There is no doubt the band have quality, and if there were more tracks like Don Quixote on the album I would be giving this album a lot more praise. Coldplay fans may enjoy this album a whole lot more, and I genuinely think this could be a marmite album for many, but it just aint my cup of tea.

Dublin Clubbing Guide: Tony Lionni

NightFlight presents: tony Lionni @ The Button Factory

You can all cool the proverbial jets, holster your metaphorical guns and bask in the glory that is the return of Goldenplec’s Dublin Clubbing Guide! Our little post EP hiatus has clearly caused a stir amongst those die hard readers. So relax Mam.

This week is a tad hectic, with Arthur taking over most of the public’s plans and therefore laying waste to the late night club session from the minds of Dublin’s regular fist-pumpers. But fear not, for Arthur’s Day is of course just one day, and fitting that there should be more options throughout the week that many of you ravers get paid on. So why not keep the party going post Arthur?

Option B is to NOT keep the party going, and who wants that option? Especially with the opportunity lying in wait at The Button Factory this Friday.

Nightflight welcome in-demand house and Techno newcomer Tony Lionni to pulsate the walls of The Button Factory with his fresh yet heavy sound. The Mancunian mixer currently flaunts his stylings in the Dance capital of Europe – Berlin – where he also currently resides. Having gotten his recognition via his much played ‘found A Place’ which is constantly mixed by DJs for the last 12 months; he is now ready to greet the Dublin masses for one night only.

Here is a sample of what’s in store:

http://www.youtube.com/watch?v=NtNkhZMuzTI

Support on the night will be provided by POGO and Spin FM DJ Barry Redsetta, and the NightFlight DJ competition winner Darragh Thomas.

Doors are at 11.00pm, and for more information check out:

www.night-flight-music.com

NightFlight have a knack for bringing the next big thing to our ears, such as Claude Von Stroke and Len Faki, so do not underestimate what is waiting for you in the Button Factory this Friday. It may be fatal.

ELECTRIC PICNIC - An Experience

We sent down two reviewers to Electric Picnic 2010 to try cover events proceedings for the site and since both have submitted different reviews with differing acts and experiences I’ve decided that the best thing to do is break the reviews up into each person’s experience rather than try merge their writing. So here is the weekend of our reviewer David Quinn.

Review by David Quinn
Photos by Alessio Michelini and Kieran Frost (courtesy of Phantom FM)

Friday

As the beautiful Friday sunshine split the many rocks scattered across the Oscar Wilde campsite, I began my mental checklist before setting forth into the Main Arena. I shook my can of beer to check its volume, then looked at my counterfeit lanyard (yes, we got duped into purchasing the line up lanyard at the car park only to be told by officials that they were fake!) for the bands’ starting times and decided it was time to go. First up, Janelle Monae, and I had reservations of seeing another Amy Winehouse/Duffy hybrid, judging from her first single “Tightrope” from her debut album ArchAndroid. I left the campsite a little early however, as my intentions were to stop off and pay homage to the TrainWreck DJs with a few Jersey Shore fist pumps. I got so carried away in fact, that by the time I reached the main stage Ms Monae had already begun. Wearing a fantastic white tuxedo-esque shirt and black slacks, and accompanied by a band in matching tux get-up, they were already in the zone. I had not been there for any longer than 30 seconds when two black-leotarded ladies with matching hairdo to that of Janelle, appeared out of nowhere banging tambourines

while the Rick James looking bassist belted out a solo. Suddenly, the ladies jumped into the crowd, involving all in their tambourine action. Clearly blown away already at this point, the once sceptical side I had for this performance was out the window. The onstage antics continued through the quality tunes, and included dancing nuns, a dancing rabbi and a drummer who effortlessly spun his sticks through his fingers repeatedly. With a band consisting of keyboards, drums and bass, this was a rhythm section to die for. The standout track was definitely Wondaland, and predictably ended her set with her current radio hit Tightrope, but with a twist. An extended ending included a James Brown style approach complete with cape, which was ultimately thrown off emphatically for the finale. Impressive.

Next on the list was the always stellar Laura Marling, but with some time to kill I took a detour via the Bacardi bar, which would soon become my biggest vice at the festival. With a queue never nearly as large as that of the Heineken bars, and with friendly staff to buzz off, the Bacardi bar was a fantastic mid gig venture throughout the weekend and at times provided vital ingredients for enjoyment – alcohol. It was then off to the Crawdaddy Tent to see a performer continuously raved about and I was personally ashamed at having never seen live. When the set began however, something seemed off. Either the acoustics were awful or it was simply a bad choice to place such a mellow act in a large tent, but through Rambling Man, Ghosts and Alpha Shallows we had to confer in order to establish and agree upon the song being played. Laura eventually spoke and apologised for the sound, crediting it to a cold she is nursing. A common reference to a modern-day Joni Mitchell, as Laura Marling left the stage 15 minutes early I was significantly underwhelmed but came to the conclusion that, the smaller the venue, the more you will appreciate her.

Foals were next on the agenda, following up what was arguably one of the best Dublin gigs so far this year, and the crowd forming in the crawdaddy tent only further implied the magnitude of their live presence. Some may see second album Total Life Forever as a slower, more progressive approach and leaves behind the funk elements of Antidotes, and had some worry about the effect this would have on their normally high-octane performances. The worry was extinguished immediately. Foals played a rocking set and got formalities out of the way early on playing Cassius as their second song. Throughout the performance Yannis was climbing the frame of the stage, amps, jumping into the crowd and the fans loved every second of it. Regardless of venue, Foals will always deliver a show of immense proportions.

Finally it was time for Roxy Music, and in my opinion the biggest, most high profile and long awaited acts of the entire weekend. This is going to be something special, I thought. And special it was. Bryan Ferry still oozed sexual magnetism and girls were going crazy with every gyrate of his hips. They had a full band on stage complete with backing singers and percussion, and every now and then Ferry would bust out the harmonica himself. Playing all the hits like More Than This, Avalon and Love Is the Drug, they were truly unmissable. It was a night when every member of the crowd looked at their list of Must See bands before they die, and ecstatically ticked the box beside Roxy Music. Their encore, and the only song I can think of that was not played, was the always loved Lets Stick Together. From start to finish, a wonderful experience.

Saturday

Saturdays weather wasn’t a patch on Friday, but as long as it ain’t raining, am I right? We headed to the main arena with intent on seeing Crystal Castles. Now maybe its just me, but again there seemed to be an issue with either acoustics or equipment, because the incoherent nature of the gig forced me to leave earlier than intended. Another band hailed for their live shows have fallen by the wayside of the Festival carriage.

I only had time to stay for half of Seasick Steve’s set, but it was totally worth it. Even on the Main Stage he had the ability to project his sound, nay, his essence to the masses. Rocking his makeshift Diddly Bow and MDM (Mississippi Drum Machine – It’s a wooden box which he kicks to the beat) he played tunes from I Started Out With Nothing… and Man From Another Time while drummer Dan Magnusson played up to the crowd. At one stage he was feebly attempting a sexy dance when Steve chuckled and said “sit down ya idiot”. I really wish I could have stayed longer, as every time I see him I am blown away. But something for the future lurked via the Body and Soul area, something which I was told could change the face of (or even give a face to) Irish hip hop as we know it. Or don’t Know it. The innovator in question is Galway based producer and Hip Hop DJ Jimmy the Hideous Penguin, and he threw beats and

scratches around like balls of tether. With the help of an assortment of Irish MCs and rappers, some of whom impressively freestyled As Gaeilge, everyone on The Hill had a collective respect. Pure talent, and lots of it, the fear is that the Penguin will eventually have to venture further afield to gain the recognition he deserves, as there is simply no market for Irish Hip Hop on the emerald isle.

The beats continued as I made my way across the plains of the main arena to a Little Big Tent occupied by non other than Northern Irish DJ sensations The Japanese Pop stars. Que a medley of bone crushing beats and chubby bass lines that would blow the roof off any Dublin Venue, the entire set is now a blur of mega house mash-ups. These kind of raves always attract a strange crowd, and I had the pleasure of meeting a woman decked out in Little Bo Peep attire, and fist pumped in sync with a Mexican Luchador wrestler. Poetry.

A bit of time to recharge next, so it was back to the Bacardi bar as Lcd Soundsystem approached. When we did finally get to the Tent, they were just coming on stage, and complete with disco ball hanging from the ceiling, the party ensued. Everybody danced in lunacy as they busted out hits from their self titled debut album and the critically acclaimed Sounds Of Silver. The biggest crowd reactions came in the familiar form of Daft Punk Is Playing At My House and North American Scum.

With my energy starting to dwindle, I took a breather outside and recharged for about 30 minutes. Doing this was premeditated as I knew exactly what waited at the end of the Rave Tunnel that was Saturday night. Eventually I had to make a move in fear of missing the start of the final act of the evening, so I clawed my way to the Little Big Tent for The Bloody Beetroots. I was genuinely scared at this point, because odds are when they come on stage, my lifeless body will react uncontrollably, wasting what little reserves of energy I had left in the tank. I really didn’t know if I could handle it.

Then they walked on stage. i have seen clips of the Beetroots playing live, and it never looked more than a DJ set. I can only assume the identities of the following as they were all wearing those Bloody trademark masks. As they entered the fray, Edward Grinch climbed behind a full drum kit, while Tommy Tea took his place at the decks. Then Bob Rifo emerged, sporting the mask along with a punked out leather jacket with graffiti and torn skinny jeans. He placed a guitar over his shoulders, pointed to the crowd, and boom. The place exploded to the kick in of their famed remix of the Toxic Avengers Escape, and everyone was truly going mental. For a band predominantly associated with electronic and dance music, their stage presence was as anarchistic as johnny Rotten on his best day. I wonder had he gone home? The pop of the night was when the Bloody Beetroots burst into their well-known tune from album Romborama, Warp 1.9, i have never seen a crowd go so ballistic. They oddly closed their set with the ominous score from 28 Days Later, which was still great and almost a fitting way to send us back to our tents.

Sunday

Sunday began duller than the day before, and to cheer ourselves up we hit the Body and Soul area for an hour before heading off to see Two Door Cinema Club. Cymande were playing some funk classics at the Hill, and gratefully I had the pleasure of witnessing them perform The Message, a true classic. With our spirits heightened we made our way to the Electric Arena for an Irish band with a lot of potential and a rapidly growing fan base. They played many of their songs from Tourist History, including the much loved Something Good Can Work and Undercover Martyn. With what was quite a humbling performance was topped off with a brief chat with the crowd, Alex Trimble reminiscing about the previous years festival in which they performed on the back of a tractor, before thanking the crowd for the overwhelming reception. A lovely bunch of lads with a bright future.

By the time we got to the Main Stage for Friendly Fires, the heavens had opened. All in attendance were desperate for the funky dance pop troupe to help us forget our troubles, and our soaking clothes. And they prevailed with flying colours. Busting out new tracks along with fan favourites Jump in The Pool, Paris and my own personal, In the Hospital, the snake hips of Ed McFarlane were mesmerising. He continuously encouraged the crowd to get into it, most likely because many were leaving to escape the rain. I however was firmly standing (or dancing) my ground. They closed off with Phonebooth, and until that moment I genuinely forgot it was raining.

Following Friendly Fires was a band many of whom’s sole reason for attending the festival was to see. Although I consider myself a fan of Mumford & Sons, I was again skeptical about the setting for their performance. Was their sound large enough to encapsulate the crowd at the Main Stage? Seasick Steve proved that theory wrong the previous day, and with Mumford’s bellowing harmonies it could only further lay to rest the reservations. Unfortunately, it did not. So many have seen them in closed quarters such as the Academy, but playing outdoors in the rain to 20,000 people had them sounding watered down and at times completely drowned in a sea of sing alongs, most notably Little Lion Man and The Cave. No doubt i was one of the culprits singing along, one cannot help but involve ones self in The Cave. But as much as the crowd loved it, I do not think it was the intention of the band for the audience to take over for the majority of the gig. I would liked to have actually heard the band at some stage. Plans to see them again on a smaller setting are already in the works, as this set did not do them justice.

The Plan was to dilly dally about until Massive Attack, but the rain was getting worse. That classic festival muck was beginning to rise up here and Soul at that moment, I would not have witnessed the mind-boggling fusion rock of Neon Indian. With a guitarist sporting a look of Jimmy Page blended with Omar Rodriguez-Lopez, not to mention the talent to boot, they played a set that had you dancing one minute and shoe-gazing the next. The performance was not far off a more chilled version of The Mars Volta, with some Kyuss and even Santana thrown into the mix. To be honest I’m clutching at straws because they are quite incomparable. I was amazed to hear that their recorded sound is nowhere near as funky or upbeat.

It was finally time for Massive Attack, but realistically the weather was now torrential rain and Catrina-esque (no offence intended) winds. I managed to hear Angel and Inertia Creeps before deciding enough is enough. Call me a lightweight, but Led Zeppelin couldn’t have made me stay in that field. Okay maybe they could, but no one else. I reluctantly put my tail between my legs and high tailed it back to the campsite, where I spent the remainder the night fixing leaks and preventing my shelter from flying away. I am utterly disappointed in myself, but as I am sure many have told you, the conditions were not for the timid. I guess I am one of the timid. Maybe I’m just getting’ too old for this Sh**.

Dublin Clubbing Guide: All Out Rave

If you don’t know by now, you are either too old to party or living under a rock. So keep the volume on your long wave radio at an acceptable level while you watch a muted repeat of antiques road show in your worn discoloured slippers. Pleb.

Still don’t get what I’m on about??

I am quite clearly referring to one of the most insane party nights of the entire calendar year – LEAVING CERT RESULTS NIGHT!

That’s right, this Wednesday the pinnacle of our youth will be once again descending on the masses and pouring into our streets ready to let as much hair down as Rapunzel on the Eiffel Tower. And what better way to do it than a Massive Rave?

Well thanks to our unrelated namesake promoters Dublin Clubbing Guide and Midnight Events, there is no better option than the All Out Rave in The Turks Head.
With a slogan like “Go Hard or Go Home”, our latest motley crew of leaving cert students will have high expectations. And with a reported 15 gallons of Glow Paint, 1000 jumpsuits and 5 UV cannons, I very much doubt they will be disappointed. The venue is also boasting an indoor smoking area on the night (legal loophole maybe?) so for those non conformist smokers it should be quite a treat. The Main Rave Room will have resident DJs mashing up some of the filthiest Electro around, and they may as well lock the door – because with 3 Euro drinks all night you won’t want to leave.

For those not as inclined to rave all night (if they exist), or if you are just running out of steam, the Front Bar will play host to live bands throughout the night.
Its early doors at 9:30pm, and Admission is 8 Euro with cheaplist or flyer, or you can pay at the door.

For all the deets on the Rave and how to get on the cheaplist, visit the Facebook page below. And if you think you can get away with it, give homage to us old timers by requesting a bit of Hardcore Vibes or, the always classic, Maniac. Go on, you’ll love it.

Dublin CLubbing Guide: Mr Jones Presents - SWITCH

Ok, ok, everybody needs to stop harassing me on the streets with props on Goldenplec’s weekly tips on where to get your rave on, because it’s only going to get worse as the tips keep coming and I may be forced to live in fear as a hermit….
In reality we are encouraging our readers to post comments or email any suggestions of their own and they might just get their pick (and a mention) on the site! So feel free people and if it proves popular we may introduce some prizes in the future for the best pick.
But I digress…
This week we are heading back to the Bodytonic buzz of Mr. Jones in Twisted Pepper. This Thursday welcomes one half of the collaborative music project (and cartoon character) Major Lazer.
For those who do not know Major Lazer’s background, be prepared:
A Jamaican commando who had his arm torn off during the 1984 Zombie Wars, he now battles the undead on his rocket powered hoverboard. There is no evidence to corroborate this story, but it still absolute fact.
SWITCH – who teamed up with producer Diplo to form the project, had great success recently with the album Guns Don’t kill People… Lazers Do and is back on our shores with some sweet solo sounds ready to collectively melt face.
Boasting collaborations with the likes of M.I.A. and Santigold but to name a few, expect Switch to tear the place down with some heavy beats along with new tunes from the recent EP Lazers Never Die. The new EP, which was released on June 20th, featured 2 new songs and 3 mixes from the eminence of such artists as Thom Yorke (yeah, I Know!). Support on the night will be provided by the Mr. Jones regular Shortie, and there is some disgustingly good drinks promotions listed in great detail on their facebook page, so check it out to get a better grasp of just how stupid you would be if you didn’t attend.
Doors are at 11pm and admission is EUR10 or EUR8 with a student card.
So head to Twisted Pepper for some banging tunes and get ready to REACH FOR THE LAZERS!


http://www.facebook.com/?sk=events#!/event.php?eid=141292655903400

GOLDENPLEC DUBLIN CLUBBING GUIDE WEEK 2

BAD-KIDS Thursdays @ Crawdaddy


Yes, yes, the newest addition to Goldenplec is IN FACT a weekly occurrence, much to the joys of our readers! So you can all stop emailing us voicing your frustrations at such a great addition like the Dublin Clubbing Guide being so sporadic. I think we got one email, and I promise it was from a totally anonymous source that had absolutely nothing to do with the article…….

We are back for another week, attempting to sway your craving for a right oul dance to different specific nights/venues/promotions each week. Last week we recommended you check out the GaffParty’s 2 year birthday in Twisted Pepper – so I hope all who attended had a mega time as the general consensus was that the night was expectedly ‘off the chain’.

This week we ask you to feast your eyes (and eventually legs, arms and other body parts) on Crawdaddy’s new Thursday night offering coming from promoters Bad Kids. The Bad Kids crew have been running the night for about 6 weeks now and to date it has been very successful, and I am sure this Thursday will be no exception.

The Chocolate Bar will play host to some of the oldest-schoolest (not a word? Don’t care) hip-hop and gangsta rap from the 80’s and 90’s, so be prepared for your bum to start shaking uncontrollably to some Grandmaster Flash or Warren G.

While things are looking oh so smooth, next door in Crawdaddy will be oozing out the best current indie and electro tunes all night courtesy of the Lads from ClubFear Nites. Anyone who frequents The Oak on a Friday/Saturday will know that ClubFear’s choice of tune-age always gets a thumbs up. From The Beatles and Boys Noize to Vampire Weekend and the Yeah Yeah Yeahs, you are sure to be stuck on the dance floor pumping your fist so hard that inevitably leaves you gasping with a cramp.

Sweet drinks promotions include:

Smirnoff Ice/WKD for EUR2.00

Pints for EUR3.00

Cocktails for EUR5.00

And if all of the above isn’t enough to entice you, entry is FREE before 11:30pm!! Its 5.00 after that, So get there early and use those funds on the awesome cheap drinks to fuel you into a dancing frenzy!

Dublin Clubbing Guide - Week 1: July 26th - Aug 1st

MR. JONES PRESENTS: GAFFPARTY 2ND BIRTHDAY PARTY & THE LOOKS SINGLE LAUNCH

As I am sure you are all well aware, Goldenplec does an awesome job at keeping you Irish scallywags in the know about what’s new in the world of music – and with that in mind we are introducing the Goldenplec Dublin Clubbing Guide!
Stuck for something to do during the week? Need some tips on where to go out? Dying to lose some excess body fat on a dance floor to some pumping choons?? Worried that you will end up a hermit??
Worry no more! Goldenplec will be bringing you the low down on where to bring your sweet new top-man T-shirts glow sticks each week.

Kicking things off in style this week we are pointing you in the direction of the Twisted Pepper, this Thursday the 29th of July. Mr Jones will play host to not only the 2nd birthday of the illustrious GAFFPARTY, but also the new single launch from The Looks.

The Looks have rocketed into the public forum after gaining notoriety as support for New Young Pony Club in the Button Factory in May, and the launch of new single Enemies/Romeo shows they have no plans to slow down. Support on the night will be provided by Kid Karate.

Once business hours are over for The Looks they will no doubt stick around for the party, as DJs set to perform well into the early hours include Trev Radiator and WhisperJack from Transmission, Ghostscene Djs, Shortie (representing the hosts Mr. Jones) and of course The Birthday boys. The Gaffparty lads will be closing off the night and celebrating their two years in style, with visuals provided throughout the night by Le Tissier.

With The Mezz staging another long line-up of DJs, the fun will never end until your body physically gives up.

Doors are at 9pm and Admission €5 until 11.30 or with Concession/ €8 without.

And don’t worry, there are plenty of drink promotions too so feel free to go nuts!

So if you were on the fence about what to do with your Thursday night, this may very well help you decide to put on them raving shoes, practice that fist pump and get yourself down to The Twisted Pepper.

For all the details check out the event page on Facebook: http://www.facebook.com/event.php?eid=135205423184873

The Deans @ Whelans July 21st

Wednesday 21st of July 2010 Whelans

Its 9pm on a typically wet Wednesday night and I am sheltered in the cosy familiarity of the Whelans bar, a comfy pint of the black stuff ready to hug my insides. I know what you’re thinking, there are a million places you would rather be on a miserable midweek night, and there is only so much to be expected entertainment wise for this time and place. The bar was a ghost town at the stroke of 9, with a few faces fitting in like the quiet locals of a rural pub. So I stood at the bar, weighing up my expectations based on the crowd, cynically half assuming my mind would be/could be made up before even judging the band. I didn’t like these thoughts, this lack of optimism, so I went outside to clear my head. As I stood in that lane we all know so well, I witnessed something which flickered memories of Almost Famous or some other stereotypical rock-fiction moment that brushed all scepticism aside. A large coach pulled up right in front of the lane, allowing dozens of people to flood off, all of whom walked straight in my direction and into the bar. Five minutes later it happened again. A rush of excitement filled me and my face flushed as I uncontrollably cracked a smile. Travelling fans – which mean at least one thing – notoriety. A second meaning is the inclusion of a crowd, because we all no how it feels to be at an empty gig.

Prior to my arrival I did have high hopes, as The Deans were fresh off a European tour spanning some of the best Rock and Blues festivals the continent has to offer. And as I came back to take my position at the bar, the large group forming in front of the stage told me that I was in for a treat. When the Deans graced the stage with their presence, they personified the rock and roll image, and immediately kicked things off with a rendition of Bo Didley’s Hey Luci. I turned to an acquaintance and we gave each other the approving nod. Following their opener, they played their original Rise and Shine, and that they did. The brothers Dean broke into a mid track solo and, to the joy of the crowd, oozed stage presence while playing each others frets. Yes, I said it. Some other fan favourites followed in the form of Harboring Faces and Mama Don’t Talk to Me, and then they stepped it up another level. One thing I am a sucker for is crowd participation, and if done successfully and prove ownership of everybody’s attention. Basically, if you have fun you are going to rave about the gig, and crowd participation is damn fun. This came in the form of the a capella Lin’in Track, assisted only by the beat of the crowds clapping hands. This also showed the range of Gavin’s voice which is equally astounding as his guitar playing. They slowed things down a bit next with their EP title track Distraction and Snake Dance, with hints of Ryan Adams, Rory Gallagher and The Doors peeping through. Two songs that could definitely withstand the weight of commercialism.

After another traditional jaunt or two they introduced what will soon become a newly released single, Worried All the Time. Thinking financially for just a moment, a single is assumed to be the pathway to commercial recognition, and therefore needs to have a certain element that can induce the majority into turning up the dial on their radio. More airplay means more dineros. Worried All the Time definitely has the strength and character to push their success, but I would worry for their sake that they do not become the victims of change too soon in order to please the “Suits”.

Thankfully these thoughts did not weigh heavy for too long as they introduced their following song as a “spiritual orgasm”, and proceeded into a lengthy medley of Mr. Hyde and William the Coward, which could only be described (by me) as a musical mind bomb transfusion of Santana-esc similarity. I am aware that the description doesn’t make sense, but referencing mind and body to the liquid sex of the song still seems justified.

By now I am in the palm of their hands, and when a band gets an Encore on a Wednesday in Whelans, it’s special. They finished off with classics Honey Hush by Big Joe Turner, What I’d Say by Ray Charles and the always welcomed Johnny B Goode.

When they finally did say goodbye, I included myself in the provision of a worthy ovation, as The Deans truly encapsulate classic Blues Rock for the modern music climate, similar to what The Answer are to doing for heavy rock. They stick to the roots of their influences and give a new generation access to a quality of music that, to the few who are aware or still care, literally paved the way for most of the music we listen to today. It may finally be time for all the Indie scenesters to open their mind to the past, the beginning, the reason for the songs and the bands we love – the blues. And what better a way to re-educate than for a fresh, young band to emulate the greats of the past while keeping it unique for the present. Imagine my surprise when I overhead a fellow attendee state “That was great, but not as good as the last time.” The possibility of The Deans leaving any more of a positive impression was difficult to fathom. At this stage all they will be doing is preaching to the converted.

http://www.thedeans.ie

http://www.myspace.com/deansrockandroll

SETLIST:

Hey Luci (Bo Didley)

Rise and Shine (Gavin Dean)

Harboring faces (Gavin dean)

Mama don’t talk to me (Gavin Dean)

Lin’in track (Traditional – A Capella)

Distraction (Gavin Dean)

Snake dance (Gavin Dean)

Why’d you do that to me (Traditional)

Feel so good (J.B Lenoir)

Worried all the Time (Gavin Dean – unreleased single)

Mr. Hyde (Gavin Dean)

William the coward (Gavin Dean)

Encore; Honey Hush (Big Joe Turner)

What id say (Ray Charles)

Johnny be Goode (Chuck Berry)

Review: The Joy Formidable @ The Academy 2 May 28th

Expectations were high as I anxiously awaited what many regard as the “next big thing”, a future containing much shoulder rubbing with Arcade Fire, Editors and the like.

The Crowd began to form to the tune of support act Our Little Secrets’ Ryan Adams style folk rock (in the acoustic element) and were successful in generating a cheerful anticipation for the headliners. Stand out tune “Daylight” shows promise for the debut album, released on May 7th.

In the wait between acts I got chatting to an off duty Police Officer (no names, sorry) who stated that he follows The Joy Formidable almost religiously and has seen them live five or six times already. Granted this was just one fan, but if the general consensus is even half the dedication, I was sure to be in for a treat. And what a treat it was.

Sudden shuddering guitar reverb immediately enveloped the room before evolving into their opening track “While the Flies”. The beautiful Ritzy and Co were in their element and once content with the full and undivided attention of the room, (along with a brief introduction) busted out three of the best with the much loved “Cradle”, followed by the ever present live medley of “Ostrich/Austere”. The crowd needed a breather by the end, although they probably didn’t want one. Things chilled out for while with some mellow indie pop in the form of “greyhounds in the Slips” and “The Greatest Light is the Greatest Shade”, which had elements of Arcade fire and more modern moods like that of The Temper Trap. Then came some new material, “Popinjay”, with quality that reduced my vocabulary to simply describe it as A PROPER CHOON! Finally, after some more adorable chit chat from the band, they kicked into their closer. Clearly a fan favourite, “Whirring” was the perfect way to end the show, pleasing the masses with the fantastic performance they all came to see, and in some circumstances, chased from venue to venue.

While this writers mind was instantly made up about not only the growing potential of The Joy Formidable – but the already cemented popularity and dimensions to their music – they further impressed with a humble final display of post-gig mingling with those who came to rock.

A pleasure from beginning to end.

Interview with Paddy Usher

Success and tragedy are two bipolar stepping stones consistent with musicians and bands around the world who have tread the line of fame and fortune with the ultimate goal of “Making it”. This analogy is no more apparent than with Paddy Usher, who has recently re-emerged from temporary music exile with a fresh sound and new ambition to finally capture the dream that has, on countless occasions, slipped through his fingers. We caught up with Paddy and his new band to chat about past, present and future plans, and specifically the upcoming launch of their single You Are So Much Better Off.

1. Your First taste of success came when winning the 1997 Hot Press Demo Marathon. What doors did that initially open for you?

This was an opportunity to meet and talk with an industry panel, most of which were Industry Experts and D.J’s. I suppose the most interesting guy I met was Johnny Lappin who was very open and easy to talk to. He liked the vocal approach and song ideas I had which was uplifting as he has worked for many major Irish artists like Aslan, Sharon Shannon and Liam Reilly (who might I add is one of the best Irish song writers and his contribution to music is just not celebrated enough). There was great exposure throughout the midlands via radio stations, news papers and small record stores. We had a good following at this stage anyway and seemed to be packing out shows which were great, but the exposure through Hot Press was the best thing as it gave us better access to bigger gigs in Dublin.

2. Your version of “Play That Funky Music” gained you notoriety, but what were the pressures that came with that?

We were playing rock/funk and the whole way through the 90’s as I remember it the charts seemed to be dominated by dance music. We wanted to capture or do a tune which would get the attention of all music lovers and this seemed like a great tune to do. The pressures were firstly taking on such a big and well know song, trying to put our twist on the tune and hoping that people would like it. There is a big vocal presence in the original so trying to do that justice was a big thing also, I also changed the backing music and put a monster bass line over it to make it even more dance floor friendly, it seemed to work for that time and space.

3. You have played with some big names in Irish music, most notably Shane McGowan, Aslan and Kila. Do you prefer the stage or the studio? Which one is taking up more time presently?

It has been a great experience supporting Kila and Aslan, great guys, supporting Shane McGowan was an experience. Let’s just say there were some images I will never forget. I always like going into the studio because you get better clarity on what you are recording and tend to find different directions and production ideas for the song or songs your working on, but generally song is structured and pretty much finished before I hit the studio. The other thing is it depends where you are recording and who you are working with, it’s very important for me to feel comfortable with whom i am spending the time with as I will have an infinite amount of ideas and roads to go down, this of course is to make sure I get the best of myself and the best for the song.

Currently I am spending just as much time on stage, the new experience of “The Paddy Usher Band” is quite challenging and lots of fun. The band are second to none and are all great lads, fantastic players, very versatile and great guys to work, full of ideas, they really have a great spirit about them and I think it’s really reflecting in the new recordings and live shows, they are really rocking.

4. You were enjoying success and a US tour when a professional and personal tragedy struck, when two of your fellow members of Jacuzze Jungle died in a vehicular accident. Can you tell us of the events leading up to and surrounding this? How did affect you and you music?

We were rocking all over N.Y & N.J for over a year, met some great people and worked with others that had a great love of the songs I was writing and playing live, wow the shows over there were very energetic. The crowd loved us wherever we went because we were like lunatics on stage and always gave em something to talk about, word spread very quickly and the shows were electric.

We came home for two weeks to do a few shows and see loved ones when disaster struck, David Clinton (Bass) my lifelong friend was struck by a car in the early hours of the morning and passed away, approx two months after that Kevin Tuomey (Percussion) another lifelong friend was also struck down by a drunk driver whilst cycling home, we were just after having a quite pint and a chat. It was a terrible tragedy to lose two great guys that were a huge part of my life. That was a very dark period and a troublesome time for us all.

Things slowed up quite a bit and the Jacuzze Jungle band that so many people had high hopes for began to dissolve and fade away, there were some other occurrences that were unforeseen, and played a big part in the withering away process, (I need not go into now) when you have played music with people like Dave and Kev all your life and have such a great understanding of each other, well let’s just say they were irreplaceable.

After a rest period I began to write again, got some new guys and got back out on stage again. The tunes were a little different and I went down a more Southern Rock & Acoustic/Bluegrass/Folk road. I suppose no matter how many times you are struck down you have to saddle up and ride that horse again, and keep on riding until you break em. Lots of people just say to hell with it, but music is my love passion and life, if I gave up music I may as well set the concrete boots and head for the river.

5. Judging by your website, you seem to have quite a few new tracks nailed down. What is your writing process?

Ah the classic question, I have an abundance of material and I’m always adding to the collection and putting down as many ideas as possible. My song writing process is usually generated from acoustic playing and then laying melody, having said that the ideas for writing can come from anywhere so if parts are working great, if not pick another bottle and try again. I try to keep things as simple as possible, I think with song writing, you either have it or ya don’t.

6. What can we expect from Paddy Usher after you launch your new single, “You Are So Much Better Off” on May 8th Academy?

The Paddy Usher Band are hard at work, and the first single release 8th May I the Academy (“You Are So Much Better Off) is going to be a very exciting time for us, we will have dates listed on the website www.paddyusherband.com of shows up and down the country and were trying to get the songs to as many ears as possible. We would really like the get good Irish music back out and on the radio, as opposed to the nonsense that I’m hearing in the charts all the time, times are a changing and we as a band are going to be pushing as hard as we can to open up the channels for Rock n Roll. Please come and check us out.

The Paddy Usher band will Launch their new single You Are So Much Better Off in the Academy on May 8th.

For More information on Paddy Usher visit www.paddyusherband.com or www.myspace.com/paddyusher